2026-11-092026-11-09https://scholars.csmu.edu.tw/handle/123456789/38765The joint leader of the project and I will use one year to translate Professor Ko Zen Hirosi’s work Chinese Literary Theory, published in 1988, and to compose an introductory reading, a chronicle, and an index. Professor Ko Zen Hirosi has studied the literature of Six Dynasties for six years and his work has drawn the attention of Chinese scholars. Chinese Literary Theory includes fifteen articles. Up to the present, except for Articles 1, 2, 13, and 15 which have not yet been translated into Chinese, the Chinese scholar Pen Ing Hwa（彭恩華） has translated eleven articles into Chinese, which have been collected in Selection of Ko Zen Hirosi’s Literary Heart and Carved Dragon (Chi Lu Book Store, 1984) and Manuscript of Literary Works of Six Dynasties (Yuan Lu Book Store, 1986). I hope that, by means of this project of translation and commentary, I can translate the remaining articles, 1, 2, 13, and 15, which have not yet been translated into Chinese, and make a new commentary on the articles which have already been translated by Pen Ing Hwa, so that the reader can get a whole view of Professor Ko Zen Hirosi’s work Chinese Literary Theory. In his work, Professor Hirosi uses abundant materials and systematically analyzes the creative process of important literary theories from Lu Chi’s Songs of Literature to Literary Heart and Carved Dragon and Poetic Virtue. Professor Hirosi also explains what influence the literary theories from the Six Dynasties of Han and Wei to Tan Dynasty have had on Japanese literature. In addition, Professor Hirosi’s work has paid much attention on Literary Heart and Carved Dragon. Literary Heart and Carved Dragon has been an important classic in the history of Chinese literary criticism. Moreover, the reception and study of Literary Heart and Carved Dragon and Poetic Virtue in Japan deserve the attention of Chinese scholars outside China who study Chinese literature and also the attention of those scholars who study Japanese classical literature. I hope that, through the translation and introduction of Professor Hirosi’s classical work, I will provide future scholars with different perspectives of thinking, or that, based on the viewpoints of this work, the relative study of Chinese literary theories will be further promoted. Because of the above reasons, I believe that, when the present project will be finished, a more concrete and effective result will be achieved.本人將與計劃共同主持人利用一年的時間，翻譯興膳宏教授1988年出版的《中國的文學理論》，同時撰寫導論、製作年表及索引。 興膳宏教授研究六朝文學的成果很早就受到中國的矚目，《中國的文學理論》一書中共收錄了十五篇論文；至今除了第1、2、13、15篇還沒有中文翻譯之外，大陸學者彭恩華已經在《興膳宏《文心雕龍》論文集》（1984年，齊魯書社）和《六朝文學論稿》（1986年，岳麓書社）中，把其他的11篇論文都翻譯成了中文了。 本人期待藉由這次的經典譯註計劃中，翻譯目前尚未翻譯成中文的四篇（1、2、13、15）論文，並重新詮釋已經由大陸學者彭恩華翻譯過的文章，達到完整呈現興膳宏教授《中國的文學理論》一書的全貌的目的。 在本書中，興膳宏教授引用豐富的資料，有系統的分析陸機的「文賦」到《文心雕龍》與《詩品》等重要文藝理論的生成過程與彼此的關係。最後一併說明了漢魏六朝到唐代的文學理論帶給日本文學何種重要影響。此外，本書中關於《文心雕龍》的論述占了大部分。《文心雕龍》是中國文學理論的經典，在中國文學理論批評史上具有其重要的地位。而且，《文心雕龍》與《詩品》在日本的接受、研究情況，也非常值得研究域外漢學的中國學者和研究日本古典文學的學者重視。 但願藉由此經典的翻譯與介紹，能為後來的學者提供不同的思考角度，或者以本書提出的論點為基礎，來展開進一步的研究，使中國文學理論的相關研究有更輝煌的成果。基於以上各種理由，相信本計劃完成後，一定可以獲得相當可觀的具體效益。文學理論《文心雕龍》《詩品》漢魏六朝唐代Literary theoriesLiterary Heart and Carved DragonPoetic VirtueSix Dynasties of Han and WeiTan DynastyProject